Sitting on a Jump-Up in Western Queensland, How could I not be inspired to write a song? |
In January 2016 I knew I couldn’t procrastinate
any longer ~ I had the means, I had written the songs ~ the time had come to
knuckle down and record another album. We don’t take projects like this lightly
at Studio 453 and perhaps that’s the reason there had been over ten years since
I released my last album, The Moods I’m
In.
The fourteen original songs I
selected for my third album, Does it
Rhyme?, came right from the heart and span genres folk, pop, blues with a
touch of jazz and novelty. After I selected the songs I realised the
Australiana flavour of the album, with six of the fourteen songs inspired by our
land Down Under.
Playing to the Kangaroos during a break in recording. |
I created a booklet containing a
lyric sheet for each song. This became my bible, the place where I would write
down my ideas on the arrangement for each song including intros, outros, and
other instrumentation and harmony that would be added after the vocal and
guitar tracks had been laid down.
Alas, recording an album is twenty
percent inspiration and eighty percent perspiration. And so began the hard work
of practicing and then recording each of the tracks that would make up the
album. My husband, Steve, is my recording engineer and twice we took my mobile
studio down to The River Road, our country hideout, for some uninterrupted
recording time.
My recording studio is made up of the
following components:
·
HP
Envy 17” (Intel Core i7-4700mq processor, 16GB RAM and 1TB hard drive).
·
Cakewalk
Sonar X3 DAW.
·
Roland
Octa-Capture Audio Interface.
·
Rode
NT2000 Microphone.
·
Adam
F7 Studio Monitors.
The recording process for this album
was as follows:
·
Record
fourteen guide tracks.
·
Record
fourteen guitar tracks.
·
Record
fourteen vocal tracks.
·
Record
bass guitar on Six Hundred Outback Miles;
The Wobblebox Song; The Coal Miner.
·
Add
bass guitar, recorded by Lindsay Gould, to Take
You to Vegas.
·
Record
lead guitar on Six Hundred Outback Miles and
In The City.
·
Record
a second acoustic guitar on the title track Does
it Rhyme?.
·
Record
harmony on Jump Up; The Spell of
Acrospire IV; In The City.
·
Add
Session Drummer track to In The City.
·
Record
stone flute on The Wobblebox Song.
·
Record
music sticks on Six Hundred Outback Miles.
·
Record
tenor saxophone (Lindsay Gould) on Secrets
of a Bass Player; Purple Poodle; Mr Dinosaur Bones; Take You to Vegas.
·
Record
soprano saxophone (Lindsay Gould) on Trackless
and Windforce.
·
Record
clarinet (Lindsay Gould) on Kilkenny.
At The River Road |
The mastering of this album was a
reiterative process of mixing down with the required effects (eq, reverb,
compression), creating an mp3 at 320kbs and then listening to the song on a
variety of devices, checking for clarity of sound of all the instruments and the
overall volume. This process took us about one day (8 hours) per song totalling
110 hours.
In total we spent 230 hours (6 weeks
full time) just to record, mix and master the songs. This doesn’t include the countless
hours spent rehearsing so that we could create solid, clean recordings.
A special thanks to my friend,
Lindsay Gould, for his inspiration and magic touch on the saxophones and
clarinet.
Lindsay and me ~ gigging |
Lindsay and I collaborated on writing
Secrets of a Bass Player and Take You to Vegas. I wrote the lyrics
and Lindsay wrote the music. This was a thoroughly enjoyable experience and it
is a pleasure to include these two songs on this album.
Also, thank you Steve, for your
patience during the recording process and your diligence during the mixing and mastering
phase of the project. You have a wonderful ear for the final product and I’m
lucky that you are part of the music I create.
Of course the creation of this album
is only the beginning as we work towards finding avenues so that you folks out
there can hear Does it Rhyme? I’m very proud of this album and I hope you enjoy
listening to it as much as I enjoyed writing the songs.
Six Hundred Outback Miles written while riding my BMW F650GS though Northern Australia |
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