Monday, 27 January 2014

Jane Laws and Lindsay Gould

After the Christmas break, sax player, Lindsay Gould, and I are back together adding some jazz standards to our set of original tunes. In particular, Blue Alert, written by Leonard Cohen and Anjani, is wetting my appetite for some dramatic tunes to add to the repertoire. Something tells me we'll be gigging sometime in 2014.


Lindsay Gould, Jane Laws Music, No Drama
Gary Oliver Fundraiser Concert
The Cruising Yacht Club of W.A.



Friday, 10 January 2014

HP Envy - Broken then Fixed

Computer woes have held me up a little. My new HP Envy Notebook developed an overheating gremlin and after time in the workshop the problem persisted. Thanks to HP for coming to the party and issuing me with a new notebook.


Now I'm up and running again I'm thoroughly enjoying learning Cakewalk Sonar X3 and using it as a tool to develop arrangements for my songs. My bass guitar is out and about and once again life is sweet in Studio 453.

Jane Laws Music, Studio 453
Getting everything together at Studio 453.







Thursday, 14 November 2013

Adam F7 - more than just studio monitors


Adam A7 Monitors, Jane Laws Music
Studio 453
When I'm gigging I always like to spend some of my preparation time in front of the microphone with my guitar plugged in. There is no better way to identify careless guitar work or poor vocals than with amplification.

I usually plug in and play through my EV 100M but I decided to test out the abilities of my Roland Octa-Capture and my Adam F7 monitors. I was blown away by the clean, soft sound that was easy on my ears. This new setup has taken my practice time to a whole new level of enjoyment and I'm very pleased to learn that my beloved Adam F7's have another trick up their sleeve :).

Saturday, 5 October 2013

Adam F7 Monitors and a RODE NT2000 Microphone


The promise of a Rode NT2000 microphone for only $499 had me back at Kosmic Sound for the VIP preview night which was held before the big October sale.

I was still in the investigation phase over which monitors to buy. However hearing is believing, and while I was at Kosmic, I slipped into the monitor sound booth with a copy of The Waifs Up All Night in my hand. One switch was flicked after another as I sampled sound from Yamaha, Behringer, Adam and many in-between. I lost track of time in the darkened room and as closing time drew near I decided to take the plunge. A couple of the boys working behind the counter cheered when I announced "I'm going for the Adam F7's."

Back in my studio I smile every time I lay eyes on those Adam speakers. The sound is enjoyable and yet all the nuances can still be heard without making my ears tired; brilliant.

Adam A7 monitors, Jane Laws Music, Studio 453
The new Adam F7 monitors.
How about my extra large National Folk Festival coffee mug?


Friday, 27 September 2013

Upgrading My Recording Studio

There comes a time when you must let go of the old and bring the new into your life. My Windows 98 desktop, coupled with an Aardvark Direct Pro 24/96 sound card and Cakewalk Pro Audio 9 DAW (Digital Audio Workstation) had served me well since 2003. My home recording studio had provided all the tools for my second album, The Moods I'm In, along with many other recording projects which are too numerous to mention.

But the old desktop is too long in the tooth to be reliable, and as Aardvark no longer exist, there are no upgrade drivers for my much loved soundcard. So on a blustery spring day, after hours of "forum" research, I came home with my new studio:



¯  HP Envy 17" laptop (Intel Core i7-4700mq processor, 16GB RAM and two 1TB hard drive)

Jane Laws Music, Studio 453
I could hardly contain myself while my partner, Steve, configured the new hardware and software. When it was time for the taste test, I recorded one of my new songs and then waited with baited breath to hear the Octa-Capture playback to me for the first time. The sound was clear and clean with hardly any colour added; jackpot!

Saturday, 2 April 2011

Dave Mann - Fly by Night - 2nd April 2011

I was delighted when I found out Dave Mann was support act for Eric Bibb at the Fly by Night Musicians Club in Fremantle. I have been lucky enough to see Dave a few times, usually playing in his Dave Mann Collective outfit.

The full house was quiet and attentive while Dave entertained us with his blues/roots tunes. I love Dave’s guitar work, the sound was full bodied and clean and I found myself watching intently, and wondering, “How does he do that?” One of the things I have always enjoyed about Dave Mann: he doesn’t remind me of anyone else!

After a couple of songs, Dave was joined on stage by his wife. While Dave tuned, his wife introduced the tribute song he wrote for Alan and Pam Skuse. Alan and Pam found their lives changed, forever, when their 12 month volunteer assignment, at Mission Mexico, turned into a lifelong commitment and sacrifice to help and support displaced children in Mexico. I have thought about this story many times since Saturday. I have told others about it too. Thanks, Dave, for another great song and for giving us something to think about. It is a reminder of the wonderful achievements of the worlds many volunteers, and the sacrifices they have to make. Alan and Pam’s story has been captured in a movie titled Somewhere Near Tapachula; I must go and see this film!
When I left the venue, Dave was standing by the stage, talking to fans; I’m sorry I didn’t stop and say hello. If I lived in Margaret River, there is no doubt I’d be knocking on Dave’s door to ask, “Any chance of a few strumming lessons?”

Eric Bibb - Fly by Night - 2nd April 2011

When Eric Bibb walked on stage, at the Fly by Night Musicians Club in Fremantle, wearing his Panama hat and a wide smile, I knew we were in for a treat. I forgave the guy, sitting in front of me, for being born with a big head, and as soon as the first note was played, I was drawn into the land of Eric, hanging onto every note he played; man, can that dude play finger style, blues guitar.

By the third song, Eric was joined on stage by Swedish guitarist, Staffan Astner. The synergy between Bibb and Astner was pure entertainment and there was no doubt that the boys on stage were enjoying themselves. Anster providing some wonderful, non intrusive, sounds and fills on his electric guitar; much to the delight of the audience.
The songs just kept on coming, from upbeat and bluesy to slow and sincere. I found myself smiling all the while I was watching Eric strut his stuff; those funky little moves really did it for me! I can’t think of any other entertainer with an easier delivery and a more engaging stage personality. My favourite song, on the night, was the last song Eric sang before the encore. It was a new song to me, and I don’t remember the name, but Eric wrote it for his fiancĂ©. I could have listened to that song all night long.
During the encore, when fans were suggesting the next song to sing, I nearly called out “She’s Still With Me,” but I remained silent and listened some more. Eric Bibb is so incredibly personable, friendly and sincere I couldn’t help musing, that if I met him in the street and said “G’day, mate, love your music,” Eric would probably say, “Great to meet you, Jane. Why don’t, you send me a friend request on face book!”